Giovanni Girolamo Kapsperger (1580-1651) is today better known for it's amazing lute and Theorbenstücke, but his work is far more versatile and includes some with radio vocal music. 1630 published Kapsperger in Rome his oratorio "I Pastori di Bette Lemme Nella Nascita di NS Giesu Christo ". Kapsperger appropriate, it's noble status, the piece but not written for the "common people" in one of the city Roman prayer halls, but exclusively for his patron Cardinal Francesco Barberini. As a lyricist came naturally only the highest ranking Poet Rome in question: Giulio Rospigliosi. He was a close friend of Pope Urban VII., Later cardinal, and finally as Clement IX. (1667-1669) Successor of Peter himself. The delightful score is enriched with some 'pastoral instruments', and thus create bagpipe and psaltery a pastoral atmosphere.
7 I Pastori Di Bettelemme: Primo Al Quinto Pastore
8 I Pastori Di Bettelemme: Coro Dei Pastori
9 Toccata No. 2
10 I Pastori Di Bettelemme: Natale: Angelo
11 Hodie Christus Natus Est
12 I Pastori Di Bettelemme: Primo Al Quinto Pastore
13 I Pastori Di Bettelemme: Coro
14 Piva
15 Laudate Dominum
16 I Pastori Di Bettelemme: Viva Eta Felice: Testo
17 I Pastori Di Bettelemme: Coro
18 Fantasia Pastorale
19 I Pastori Di Bettelemme: Gl'angeli Intorno Al Presepio: Angelo Primo Al Terzo
20 Correnti, Book 1: Corrente Quinta
21 In Diem Natalem Lesu Christi
22 I Pastori Di Bettelemme: Dormi Figlio
23 Figlio Dormi
24 Paso E Mezo - Gagliarda
Giovanni Girolamo Kapsperger (1580-1651) is today better known for it's amazing lute and Theorbenstücke, but his work is far more versatile and includes some with radio vocal music. 1630 published Kapsperger in Rome his oratorio "I Pastori di Bette Lemme Nella Nascita di NS Giesu Christo ". Kapsperger appropriate, it's noble status, the piece but not written for the "common people" in one of the city Roman prayer halls, but exclusively for his patron Cardinal Francesco Barberini. As a lyricist came naturally only the highest ranking Poet Rome in question: Giulio Rospigliosi. He was a close friend of Pope Urban VII., Later cardinal, and finally as Clement IX. (1667-1669) Successor of Peter himself. The delightful score is enriched with some 'pastoral instruments', and thus create bagpipe and psaltery a pastoral atmosphere.
