David Dubery is a fine example of a modern composer refusing to be boxed in by boundaries, and like a growing number of his contemporaries, has developed a thoroughly individual, yet traditionally tonal and lyrical, style. Dubery's special gift for enchantingly beautiful melodies is well demonstrated here as is the wide range of impressionist, abstract and quasi-autobiographical works, all of which are an absolute joy..
3 Sonatina for Oboe and Piano: III. Presto-Meno Mosso-Tempo Primo
4 Three Songs to Poems By Robert Graves: No. 1 Under the Olives
5 Three Songs to Poems By Robert Graves: No. 2 I Will Write
6 Three Songs to Poems By Robert Graves: No. 3 on Giving
7 Four Songs for Mezzo Soprano and Piano: No. 1 Another Spring
8 Four Songs for Mezzo Soprano and Piano: No. 2 Sudden Light
9 Four Songs for Mezzo Soprano and Piano: No. 3 Onyons
10 Four Songs for Mezzo Soprano and Piano: No. 4 the Birds
11 Suite from Degrees of Evidence: I. Memory - Adagio Molto Calmo E Sostenuto
12 Suite from Degrees of Evidence: II. Certainty - Vivace Con Moto Ma Non Troppo
13 Suite from Degrees of Evidence: III. Possibility - Adagio Grazioso
14 Suite from Degrees of Evidence: IV. Absurdity- Poco Pesante
15 Remember for Voice and Piano
16 Two Stopfordian Impressions for Recorder and Piano: I. Pinch Belly Park- Lento Con Rubato
17 Two Stopfordian Impressions for Recorder and Piano: II. the Glass Umbrella
18 Sonata for Cello and Piano: I. Vivace
19 Sonata for Cello and Piano: II. Lento
20 Sonata for Cello and Piano: III. Energico Lento a Tempo
21 Escapades for Recorder, Bassoon and Piano: I. Moderato
22 Escapades for Recorder, Bassoon and Piano: II. Lento
23 Escapades for Recorder, Bassoon and Piano: III. Espressivo
24 Escapades for Recorder, Bassoon and Piano: IV. Poco Agitato
25 Walking Cimbrone for Bassoon and Piano
26 Harlequinade for Recorder and Guitar: I. Pantalone's Minuet
27 Harlequinade for Recorder and Guitar: II. Colombina's Intrigue
28 Harlequinade for Recorder and Guitar: III. Colombina's Romance
29 Harlequinade for Recorder and Guitar: IV. Arlecchino
30 Mrs Harris in Paris
David Dubery is a fine example of a modern composer refusing to be boxed in by boundaries, and like a growing number of his contemporaries, has developed a thoroughly individual, yet traditionally tonal and lyrical, style. Dubery's special gift for enchantingly beautiful melodies is well demonstrated here as is the wide range of impressionist, abstract and quasi-autobiographical works, all of which are an absolute joy..
